Wednesday, September 18, 2019

Celebrity Endorsements

Celebrity endorsements, also called blurbs, are those little quotes that appear on your book’s cover, or in the front matter of the pages. Example: “This was a riveting ride from start to finish”–Stephen King. You might get one or several.

Celebrity blurbs can be a real minefield for the new-up-and-coming author who is about to release his/her prized tome. Even some great mid-listers can get caught up in this hunt for star approval. BTW, soliciting for a blurb should take place about three months before release. There are many Big 5 houses that start a marketing campaign six months in advance! Catalogs and free e-copies start raining down on the reading public, with the purpose to entice, tease, dare and suck anyone into anticipating the new wunder child’s masterpiece. These promos can also be galleys or ARC copies of the book. Just make sure you leave enough time to get the blurb on the cover or in the front matter before it hits retail. The earlier the better, because this little admiration/vindication blip can be used to boost pre-order and future sales. Otherwise, if it’s post-release time and you haven’t done anything, it could cost you or your publisher a small fortune to send out trade or hardback copies in order to catch up. This has happened to me. Then there is an additional print cost.

So who should be solicited for a gold star blurb? Unless you know them, please refrain from contacting the current heavy hitters–Charlaine Harris, Stephanie Meyer, Veronica Roth, Susanne Collins–and certainly avoid King, Rice and Rowling. You aren’t dust underneath their shoes (in a figurative sense–no one hates you). But…they don’t know you; they likely haven’t got time for you and you could be a bother in the middle of their busy lives. Please don’t send them copies cold. You can ask first if you are intent on it. That’s the reality of it. While we’re at it, you might pass on the self-published heavy weight stars because they are also in demand and loaded down with time constraints. Believe me, I went that route and I knew a few of them personally. At this very minute they might be using my book pages to clean up pet spills. These are busy, busy people.

The self-published crowd definitely has to do the soliciting themselves. They might even be better at it than any trade-published author! In fact, I think they get real good at it and have more success in their contacts within their own ranks. The indie community is huge and tight-knit.

Now who should send out copies for blurbs? Aside from some exceptions, not you right yet (indies excluded). Successful mid-list and recent breakout novelists just might give you the time. If you personally know a fairly successful author, give it a shot. I can speak from experience and tell you that I’ve lost a half dozen hardback books that cost $30.00 apiece, countless trade paperbacks and a truckload of ARCs. I knew these high-profile authors from some venue or another. They knew me. Circumstances got in the way–it happens. 


In 1990, Ralph Nader agreed to do the foreword in my auto repair book. My editor told me the great news. I was delighted with the prospect. Little did I know that my publisher paid $4,000 for a page of comments (Foreword) and then they took that amount out of my royalties. DO NOT PAY-FOR-PLAY BLURBS. Ever. That goes for pre-order reviews, too. Read your publisher’s contract and make sure they don’t have the right to pull royalties or advance money from you for a celebrity endorsement, or any promotion or marketing efforts.

What can go wrong with hunting down blurbs? Those star authors don’t have the time to read your book–they’re way too busy. Your solicitation could be construed as a sign of desperation. They might think your publisher is beneath them, or that your publisher trademark is really a disguised self-published label. They read it and hated it (or very unlikely that they read it). You’re a bothersome intrusion into their privacy, even if you’re a fan. They can get free copies this way without payment or risk. It happens. You’ve nudged them too often and annoyed them.

Your publisher will solicit blurbs. Seen from the eyes of the celebrity author (or whoever), it is more respectful. The publisher is not as obviously biased or as desperate as an inquiring author. There is more weight behind a publisher request–more status–more importance and dignity. You might get the email or home address of the author wrong. The publisher marketing team, not you, will know who to send copies or books to in advance. This is their expertise –they’ve done it They probably have a marketing and sales department, and a publicity manager loaded for bear and ready to get you a shot in the lime light. They also have a tried and true list of contacts, and they certainly know how to target your book better than you do.

If you are determined to be proactive, go ahead. Coordinate with your publisher, though. You don’t want submission repeats to the same source. If you have landed numerous celebrity blurbs by your own hand without your publisher’s assistance, you’ve performed a small miracle. If you have a repeat celebrity author giving you grand endorsements, then you are locked in. I doff my worn fedora to you. 

Just be careful. Target celeb authors who write in your genre. Don’t send a contemporary romance to Clive Barker or Dean Koontz.

Never mind if you’ve bought a truckload of books and tossed them every which way in sundry. There’s no reason to go into dept before your book is published. Sure, send some signed paperbacks out there, but purchase single copies and not cases of your book.

A neat little plan that works is to join some fan clubs of your favorite authors or even movie stars. Be sincere with yourself and choose those persons that you truly admire. Be active with your comments on their pages, and once in awhile you will actually get responses, likes, semi-recommendations, re-Tweets or even followers. This kind of association can take you off the dirt road and place you on the major highway. It can be effective in building your name brand. This move takes a while to cultivate. You can’t rush it. You can’t (or shouldn’t) come right out and ask for favors in a comment section or PM. If you appeal to the celeb in any fashion, trust me, they will contact you. I can attest to this because I’ve done it.

Red-shifting out of here. Happy blurb trails!

Sunday, September 8, 2019

Reviewers--Our Lifeblood (Part 2)

In case you haven’t read it, there is a part one article on this subject. I just needed to touch it up a bit and add some more basic information, including this time, what an author might try to avoid, or experience an author/reviewer confrontation. 

Just as a recap, and as I noted before, reviewers are PEOPLE on the end of your submission email. Personalize your subs to each individual, follow the guidelines precisely, check out their “About” section and read some of their reviews. Target their genre preference. Ask before sending a review copy. Make no demands, abide by their time constraints, and do NOT expect public reviews of your book just because they’ve asked for a copy. Things happen. Reviewers get ill, have emergencies, or must go on forced hiatus.

Trigger warnings are about your content that might be objectionable. You would know this beforehand by investigating your reviewer. They might be a stalwart Christian, or other denomination, who gives notice of touchy subjects that turn them off. For YA, I have to watch out for sex, drugs, suicide, underage drinking, needless violence and gore and other related topics. Yet again, if you have an erotic romance, it will not sit pretty with a reviewer who prefers sweet romance with HEA endings. Be careful and be up front. List your possible trigger warnings and listen to the opinion of the reviewer. If you have a reviewer who is borderline in reading your book, politely decline. You don’t want to waste their time. If you force the review, you’d better be prepared for any type of rating. Most reviewers don’t pull any punches. You're getting a reader’s feedback. BTW, reviews are for readers–not for you unless you take notes and realize you can improve your writing by understanding their analysis. What’s not to like about a free sub-editor or proofreader? If you have enough review comments that all state the same problem, then by yiminee, you just might have a major problem!

Try and keep track of the individuals you have sent your submission to. Some require form subs and sub prefer email. I have used six major review sites, and it has been a tedious chore just to keep track of individual reviewers. These persons might be listed in multiple sites and you don’t want to send repeats. It can get very confusing for you if you have sent out hundreds of requests. My sent box serves as a small database, but it does not track the form submissions. If you are unsure of a repeat request, add a disclaimer right up front. Here’s mine:

If this is a repeat review request from me, my sincerest apologies. Shirley’s List, Indie Authors Reviews and Book Siren (among others) have merged their contacts together, and it’s been almost impossible for me to know where everyone has appeared. If I’m a repeat, please just flick and swish and make me go away!

Lots of reviewers answer their emails starting with the oldest and work their way through the list. Others make immediate contact with you. The point is, don’t send reminders unless they state that you can. Usually only one. Personally, I won’t send a follow-up. I don’t have any desire to clog their box anymore than it is. I just move onto the next sub. You are apt to get questions back, and you’ll need to take the time to answer them honestly and accurately. Understand that they are feeling you out as a person, as well as an author.

For gawd’s sake, don’t reply or comment on a review unless you are just being thankful. Your story will get some harsh and, seemingly, personal criticism. Do Not lash back at a reviewer in any forum. You don’t even need to explain your version of the story and how the reader got it all wrong. These other eyes are not yours. They may see things quite differently than you do. It’s quite possible that you, not them, who have screwed the pooch. After 15 straight years I broke this rule, but did no lash out. I had to inform the reviewer about a gross inaccuracy that hurt and damaged me so badly, I had to inform her about a cultural tag she took the wrong way. The word “racist” was used as an identifier in her review. I’ve had other mentions that have made me sick to my stomach and have thrown me into a deep depression. These things are going to happen. It comes with the territory. But there is a limit.

With some reviewers there is a slip of the word like a slip of the tongue. I’ve had the following words in my review and they were more than pointed at the story line. They were pointed at me: 

Mysogynist, Identity thief, transvestite, plagiarist, racist, fataphobic, woman-hater and other such monikers. They were grossly false and most of my fellow authors knew that right away. I mean, when you’ve been hosed and trashed in a public forum, one of two things or both can happen; either you run away and hide, or you go ballistic. If you lose your temper, calm down and contact the accuser in private email. As an ex-federal police officer with an upstanding record, I won’t stand for personal comments like those. I warn you, you are going to reap a whirlwind of my opinion about what you’ve done. Count on it. It’s reverse honesty. Otherwise, I’m fine with low review scores, even if I have to scratch my head over them.

REVIEWERS: Watch what you are saying. You can’t take those words back once they hit the social universe. They are cemented in time and place. Go ahead and rant, but do it with a little sensitivity and humor. It’s more digestible that way. Never, ever insult or humiliate an author with dangerous words or profanity. 

AUTHORS: Betcha didn’t know that even the long-time seasoned reviewers are nervous and anxious about how their writing will be accepted. They are responsible to a reading public. They get the jitters too. You’re both getting the jitters. Hopefully, and most of the time, things work out great for both of you. When there’s lots of comments, it means the review was exceptional and really nailed it. That’s great for the author too. It leads to sales clicks. ETA: don’t ask the reviewer to buy your book. Are you nuts? They might want you to gift them a copy, and that’s really to your advantage because it boosts rank and earns royalties.

Some of your reviewers will be members of, or have access to, Amazon, B &N, Kobo, Apple, Tumblr, Pinterest, Instagram, FB, Twitter, specialized groups and the like. You’re talking about a full boat here. Some may have less contacts or only a few. If you are “wide” which means your book is listed with multiple retailers, mention this in your request letter. They will respond with yeses or nos regarding which sites they can list you in. Don’t insist that they join these groups just to perk up your numbers. They follow their own policies and do what works for them.

Gosh, dang it. I think I’ve run out of words. I know I’ve missed something again but I’m agog at knowing what it is. If it takes a part 3, I’ll pitch out another article.

So I’ll say, let me red-shift out of here!

ETA: I just remembered. It’s up to you, dear author, on how many paperback copies you want to send out. You can really hit the financial skids in doing this. You’ll have to say, NO MORE. There is one country in particular that demands most of the paperback copies. I won’t name them. But I can see tiny book stores sprouting up all over their countryside when they’ve accumulated massive paper and hardback copies of books.

Thursday, August 8, 2019

Reviewers--Our Lifeblood


Reviewers—Our Lifeblood.

After having sent out and received (cold) over 1,370 personalized review requests, I think I’m qualified to depart a little information on the topic of Book Review Requests. I’ll start the salvo off with a personal letter from a reviewer who happened to discuss some problem areas wherein authors were disrespectful and/or intimidating. I have her permission to post this material. Below her letter is my reaction and thoughts.

Hi!

So nice to hear from you again! I read the blurb at Amazon, and this one sounds much more to my liking. Go ahead and send the MOBI whenever you like. My reading schedule is pretty busy until the 15th, but I'll see what I can do.

Surprisingly, about reviewing, it can be trickier than you think! Previous to 2019, I had been a casual reviewer. Voracious reader but only reviewed books now and again if I felt strongly about them (one way or the other). My new year's resolution this year was to read 200 books and review each one of them. After some bad reverses at work, reviewing became a bit of an obsession. I have started to question my sanity about reading so many books, but I do love to read as it provides refuge.

What makes it tricky is that sometimes authors can do bad things to reviewers, either publically or privately. If I give what an author perceives as a bad review, I often get long diatribes about why I was wrong. A few authors have even commented (or had friends comment) on my reviews at Goodreads, saying that I misunderstood something or other; my favorite was when an author stated I should have inferred X about the book from its blurb (if you want me to know something... tell me... don't expect me to have to figure out your meaning if you're not clear). I don't like the private notes, but the public calling outs are uncalled for. In two days in mid July, I was targeted by two different authors, one publically and one privately. The private one was a "publisher" asking me to take down a review at my site because they hadn't given me permission to post it! Seriously! He used all sorts of legalistic language and was mildly threatening. The other author took my public review on Goodreads, made a screenshot that included my name, and posted it on her blog (which she broadcasts all over her social media channels), where she shredded my review and me. Over the course of a week or so, she continued to make defamatory remarks. I continue to get harassing emails from her friends; I received another just today. Sigh.

All this over book reviewing!

I joined a FB group for book bloggers just share my tales of woe and get feedback, and it was amazing how many came back with similar stories. Some have actually gone so far to never accept private requests for reviews because they don't want the potential to be harassed by an author who knows their email address.

How sad that it has come to that. I think that's why your lovely little line resonated with me. Balm for my wounded reviewer soul!

Regards,
Jamie

(My Response) Hi, Jamie.

Soulful words indeed. I've have seen instances of a total lack of respect for the reviewers, comments and emails comprised of hate speech, claims of stupidity and demands. I've been at this for the last 15 years straight (29 total), and I've mellowed with just about all literary pursuits. Everyone has to understand that this is all a collaborative effort and there are HUMAN beings with lives on the other end of these emails, especially reviewers. In my view, reviewers perform an impossible task by reading books from cover to cover and then writing about them and then linking them to all their social media sites. FOR FREE. For the enjoyment of it. I could Never do such a thing! The workload would topple me, frustrate me, hurt my feelings and take up enormous amounts of time. And even yet, reviewer's mission statement are filled with enthusiasm and gratitude for the opportunity of reading someone else's book. They are honored. Astonishing.

I've written articles on the proper way to query for reviews--this involved all aspects. I have a powerful writer website, and I'm about to really nail this subject again. I've enlightened every one of my publisher's authors (with little comments) to abide by these tasks and pass them on. Read the policies through and through. Then read the bios and see who this person is and if you can click with anything of interest with them. Yes, it's time consuming. But look at the time they take with you. And any author who sends a cold copy of a book to a reviewer should be automatically scratched. It's discourteous. If they want one off the bat, they ask for it.

Sorry, but this advanced age publishing glut has hobbled the entire industry. Supply has eclipsed demand. Reviewers are overworked to the breaking point. How can they sift through trash without finding the true gems? I’m not talking about the majority of indies who are really setting the industry afire with true talent. I also believe that small and large press editors should redouble their efforts and weed out those mistakes in format, grammar, structure and all else

Nice conversing with you. You have confirmed my feelings. I promise to blast a message about this subject. I want you to know that you are valued as a pro reader and a person, and that you are real to me.

Kindly,

Chris

Let’s lay down some simple ground rules: read their bios and policy/guidelines. You’ll know exactly what to expect from every individual human reviewer. You can even read some of their reviews to check out their style and voice. You can tell a lot about a person from their background; job occupation, loves, hates, hobbies and wishes—and just look at all the baby, children and animal photos and references! You’re digging. This brings you close. It’s intimate, and it should be. Granted that most of your request package will be a cut and paste, but it is subject to change with every reviewer, and none of them are specifically the same. Give them, honor them with the first paragraph of your opening letter. You don’t have to pander. Politely disagree with them on a point or topic if you feel the need. Just communicate in real time.

Some reviewers will ask for a cover photo, a certain subject line heading, the best way to contact them; form or email. Some want paperbacks only, with many specifying their e-copy formats. Address them by name—if it isn’t listed go find it in their social media contacts. Don’t judge them by the number of their blog followers—this is a level playing field.

Find out what their policy is for DNF (did not finish) or low 1 and 2-star rankings. Many will give you the option of not publishing a very low rank. If you don’t want that low score, ask to opt out of the review. (This just happened to me with a paid review and I had no option to opt out. It shredded me. More about paid reviews later, or what they disguise as “marketing and social media expenses.”)

Target their genre. What’s their top pick? What are their secondary choices? What are their marginal genres? If you have a YA fantasy with a lot of violence and death in it, the reviewer might say they love YA fantasy, but say they can’t stomach horror in any fashion. That leaves you out, if that’s what you have. Don’t try to get by as an exception unless they ask you to explain those types of contents. If you have trigger warnings, spell them out up front. (I’ve made some mistakes with this).

If you don’t have a new release, don’t tell them you do. Generally, a new release can be less than a year old, but more commonly, three monts. If you are weeks within a release, state that up front and politely ask for an ASAP review. I’m over three months old with my release but I’m not asking for a quick review. I’ll take my place in line with the rest of them. In my mind, the reviewer is the pilot/captain—I’m the passenger with seat belt on and the tray in the upright. I’m not running this show. The reviewer is not your employee. They are an advocate for your product—not theirs—yours.

As an aside, I’ll pay for a cup of coffee as a donation, but I’m refusing to pay for any low-cost reviews. You can find out if they list services other than free reviews that might cost you, but those are generally legitimate services that involve extensive social media promotion campaigns. Just feel comfortable about what you’re getting into.

I could go on forever about this topic and I’ve left so much out that it will require another long blog post. For now, I’ll show you my request package. It’s a disorganized mess, but it’s working like a charm. Only because it covers just about everything they ask for. BUT remember your opening hello letter at the top.

I’ll red-shift outta her. Thanks for reading—Christy J. Breedlove and Chris H. Stevenson.

ETA: I doff my fedora to all the reviewers I’ve had contact with. So many of you are now my friends and subscriber buddies. You are the treasures in our industry.

(THIS IS YOUR HAPPY TO MEET YOU PARAGRAH)

 I know you must be swamped, and I’d like to just take the time to thank you for your unselfish service and dedication to us writers. The TBR piles are higher than K-2 out there. I don’t know if you are up for a review right at this time, but I thought I’d ask first. I abide by and honor your review policy. (A review on Amazon would be fabulous, but not a requirement).

Well, what makes this tome stand out? I think my book Screamcatcher: Web World is unique in that I have never seen a dream catcher used as a prop or device in the plot or theme of a book on the Internet. I had to create the inside reality of a web world. My book has shades of Indian lore in it, and I think the characters are diverse and well-drawn. It has a slow-burn sweet romance. I see this as a mash-up between Jumanji and The Hunger Games. I've included the cover blurb in this email for your perusal. For a deeper probe, you can click on Christy's Amazon page. I hope you like this idea.

Most Kindly Yours,

Christy Breedlove (pen name)

Screamcatcher: Web World - Kindle edition by Christy J. Breedlove. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Screamcatcher: Web World.
www.amazon.com
The pub date was officially 4-23-2019, so it’s a recent book. You can get to it whenever you please—I have no priorities or demands. The publisher is Melange Books, Fire & Ice. Age range: Upper YA 15—19. Pages: 218, Words: 67,000. Formats: PDF, Kindle/Mobi, E-Pub.

Summary:

When seventeen-year-old Jory Pike cannot shake the hellish nightmares of her parent’s deaths, she turns to an old family heirloom, a dream catcher. Even though she’s half blood Chippewa, Jory thinks old Native American lore is so yesterday, but she’s willing to give it a try. However, the dream catcher has had its fill of nightmares from an ancient and violent past. After a sleepover party, and during one of Jory’s most horrific dream episodes, the dream catcher implodes, sucking Jory and her three friends into its own world of trapped nightmares. They’re in an alternate universe—locked inside of an insane web world filled with murders, beasts and thieves. How can they find the center of the web where all good things are allowed to pass? Where is the light of salvation? Are they in hell?

Saturday, July 27, 2019

Clancy Tucker Interview

24 July 2019 - CHRIS STEVENSON - GUEST AUTHOR



CHRIS STEVENSON
 - GUEST AUTHOR -

G'day folks,

Today, I interview an author who makes a lot of sense in this day and age.

Welcome, Chris ...



1.   TELL US A LITTLE ABOUT YOURSELF AND YOUR WRITING JOURNEY.
My early writing accomplishment were multiple hits within a few years: In my first year of publication back in 1987, I wrote three SF short stories that were accepted by major slick magazines which qualified me for the Science Fiction Writers of America, and at the same time achieved a Finalist award in the L. Ron Hubbard Writers of the Future Contest. This recognition garnered me a top gun SF agent at the time, Richard Curtis Associates. My first novel went to John Badham (Director) and the Producers, the Cohen Brothers. It was only an option, but an extreme honour. The writer who beat me out of contention for a feature movie, was Michael Crichton’s Jurassic Park. My book was called Dinothon, and has long sense vanished.

A year after that I published two best-selling non-fiction books and landed on radio, TV, in every library in the U.S. and in hundreds of newspapers.

I have been trying to catch that lightning in a bottle ever since. My YA dystopian novel, The Girl They Sold to the Moon won the grand prize in a publisher's YA novel writing contest, went to a small auction and got tagged for a small film option. So, I'm getting there.

2.   WHEN AND HOW DID YOU BECOME A WRITER?
I became a writer very early on in about 1974 when I wrote about five SF novels longhand in spiral note books. But it wasn’t until 1986 when I read a short story in Twilight Zone Magazine that the writing bug really hit me. I was so impressed with the structure of the story, I thought I could duplicate the feat, and started writing short stories right away.

3.    WHAT TYPE OF PREPARATION DO YOU DO FOR A MANUSCRIPT? DO YOU PLAN EVERYTHING FIRST OR JUST SHOOT FROM THE HIP?
Except for drawing out character personalities, backgrounds, and physical features, I shoot straight from the hit, non-stop. I might make notes along the way, but the story (somehow) has a life of its own. Sometimes I think the characters dictate to me and actually order me around.
    



4.   WHAT DO YOU ENJOY MOST ABOUT BEING A WRITER?
The freedom to create my own worlds in minute detail. I love to craft visual images that use all of the senses to describe a scene. Spec fiction allows me that creativity. I feel I’m the master of my own universe. Ya know, God-like powers and all that?

5.   WHAT IS THE HARDEST THING ABOUT BEING A WRITER?
I’ve never had problems writing out pure text, attracting agents, selling books whether by myself or my agent and bulk editing. No writing blocks to speak of. The most difficult chore is promotion and marketing. It is time-consuming, tedious and very hard to get right. The competition today is so fierce writers are using extreme measures to get noticed, get reviews and make sales. Many authors are spending significant amounts of money advertising. I love meeting people, but I am shy about asking them to check out my books.  

6.   WHAT WERE YOU IN A PAST LIFE, BEFORE YOU BECAME A WRITER?
I must have been a story teller or a scribe. In spite of some shyness, I feel very comfortable in front of an audience. I like to coach and teach on just about any subject that I know well. Since I’m good with my hands, I must have been a blacksmith or some type of an engineer.

7.   WHAT IS YOUR GREATEST WRITING ACHIEVEMENT?
My limelight days were from 1988 to 1991. My two non-fiction books did very well. I was so very proud to attend the American Booksellers Association twice, wearing an authors’ badge. I landed on the evening news cast at 6:00 PM. I have never had so many radio interviews as I did at that time. I was swarmed by the media.

8.   WHAT ARE YOU WORKING ON AT THE MOMENT?
I am working on the editing on my YA fantasy books, the Screamcatcher Series. As of this interview, the first book, Screamcatcher: Web World has just gone on sale for pre-order. As far as new material, I am revising a 400-page werewolf thriller for reprint. Aside from that, I’m half way through a Middle Grade fantasy book.
         
9.   WHAT INSPIRES YOU?
I’m inspired by great voice/style in writing. I’m a stickler for a unique premise or idea. They say that “Everything under the sun has been done.” I fool myself into believing that this is not true, and I can come up with something totally outside of the box. It is an obsession with me. For example: A Jurassic Park werewolf, a society that permits parents to pawn their children, an ancient dream catcher that imprisons four teenagers....





10.              WHAT GENRE DO YOU WRITE?
I’ve written in the genres of science fiction, thriller, paranormal romance, young adult, urban and portal fantasy and contemporary romance. I first thought I was a good science fiction writer until readers told me I had a flare and great voice for young adult.

11.              DO YOU HAVE ANY TIPS FOR NEW WRITERS?
If a budding writer ask me if they should make authorship a vocation, I would tell them to take a couple of aspirin, go into a dark room, lie down and wait for the feeling to pass. Seriously, this is a rewarding but very tough profession to be in. It takes dogged determination and a steady stream of written material to last in this business. Set writing goals every day and meet them as best you can.

12.              DO YOU SUFFER FROM WRITER’S BLOCK?
I don’t really suffer from writer’s block. I’ve learned from Anne Rice, Stephen King and J.K. Rowling, to just plough right through it and worry about major editing later. The trick is to get the first draft completed. That takes discipline. If I hit a snag, I’ll walk away from it for awhile and then come back with a refreshed mind and attitude. 

13.              DO YOU HAVE A PREFERRED WRITING SCHEDULE?
For some reason or other, some of my best writing has been at night and the wee hours of the morning. There are no distractions then and I have a sense of freedom. Yet, I can be struck by the urge at any hour or any place. I try and knock out at least 3,000 words at a setting, with intermittent breaks.

14.              DO YOU HAVE A FAVOURITE WRITING PLACE?
I have a writing desk and a huge, older, Acer PC. I can’t write well on a laptop and change my location. I’ve tried that. Nor do I use a tablet or other device. It is always at my work station, using my dinosaur equipement.  




15.              WHAT IS YOUR GREATEST JOY IN WRITING?
I love to be read by the multitudes, if I’m lucky enough to strike gold. I’ve had people tell me that my ideas and imagination is what gives me such popularity and strength. When I hit on a unique idea, I come alive, filled with a white-hot passion. I feel any award for my work gives me great satisfaction and fortifies my resolve to continue on and better myself.

16.              WHO IS YOUR FAVOURITE AUTHOR AND WHY?
My favourite authors are rather obscure: Joseph Wambaugh, Poul Anderson, Alan Dean Foster, Peter Benchley. These writers struck with marvellous styles and senses of irony and great humour. They touched me, brought me into the pages and made me feel like I was living in their stories. J.K. Rowling’s world building is just astonishing.

17.              WHAT’S THE GREATEST COMPLIMENT YOU EVER RECEIVED FROM A READER?
There’s been a few comments that really surprised me: “This guy can certainly bend one word against another.” My agent: “For the life of me, I can’t believe you haven’t been discovered by the world.” And another: “He’s got golden age SF down pat—I put him right up there with Heinlein and Farmer.”

18.              WHAT WAS THE WORST COMMENT FROM A READER?
The one that really left me baffled was a comment that condemned a scene of mine where I had two older teenagers retire to a room to have romance. This was a “behind the door” sweet and passionate scene, and in no way supported underage sex in any fashion. This goes into creepy territory, and with my background as a federal protection officer, it hurt and insulted me.

19.              WRITERS ARE SOMETIMES INFLUENCED BY THINGS THAT HAPPEN IN THEIR OWN LIVES. ARE YOU?
No, not really. I know that J.K. Rowling was traumatically influenced by the death of her mother, and that incident became a major part of her storyline in the Harry Potter series. But nothing like that, or close to it, has influenced me. I can take a ride or hike in the country and be struck by a wonderful idea—that happens all the time.

20.              OTHER THAN WRITING, WHAT ELSE DO YOU LOVE?
Oh, gosh. When I’m not writing, I’m watching every YouTube documentary or movie about UFOs, Bigfoot, astronomy, Ancient Aliens, palaeontology, archaeology, hauntings, paranormal investigations, ancient megaliths. I’m also hooked on the old Laurel and Hardy and W.C. Fields movies. Anything non-fiction/biographic instantly gets my attention. Coast-to-Coast is a favourite radio program.




21.              DID YOU HAVE YOUR BOOK / BOOKS PROFESSIONALLY EDITED BEFORE PUBLICATION?
Sense all of my books were trade published, I would say yes. With all things subjective, sometimes they were edited well and sometimes lacking in certain areas. There is no such thing as a perfect manuscript. I do the best I can before the editor see it.

22.              DESCRIBE YOUR PERFECT DAY.
A perfect day would be getting a wonderful phone call or letter from my agent, whom I adore and have a special relationship with. Then fan mail, or mail from friends. I feel great when I’m watching my diet and getting the proper amount of exercise—authors MUST watch their health—their profession leaves them horribly static.

23.              IF YOU WERE STUCK ON A DESERT ISLAND WITH ONE PERSON, WHO WOULD IT BE? WHY?
It would be Stephen King. I would like him to explain to me (again) the hardships he went through in becoming a writer. I share those many toils and hardships with him. He makes me feel that I’m not alone and that this whole crazy business in worth it in the long run. Next would be Anne Rice for the same reason. I constantly need inspiration and drive like a fix of dope. I can’t fall into depression—no writer can. We are the Champions of the world (so we think).

24.              WHAT WOULD YOU SAY IF YOU HAD THE CHANCE TO SPEAK TO WORLD LEADERS?
I would tell them that you’d better all get this UFO stuff out there in the open and tell the absolute truth about our origins and what secrets are being kept from us. NASA needs to really fess up about anti-gravity, and a solution to using fossil fuels that destroy our environment.

25.              WHAT ARE YOUR PLANS FOR THE FUTURE?
I have seven more polished books with my agent. During the years, I over-wrote and stacked up the novels. I need to sell them all (if possible), making sure I have enough longevity to see those projects through to completion. We have sold four books in the last year. We have a ways to go!




26.               WHAT ARE YOUR VIEWS ON BOOK TRAILERS? DO THEY SELL BOOKS?
I’ve had one major book trailer. It was not an overwhelming success. I’m sure if I had more of them my thoughts might be different. I’m waiting for someone to ask me again. I would go hell bent and horseshoes for it! A writer needs any and all types of extra exposure. I’m so shy, that I don’t ask for such opportunities. I wish I was approached more. I think my blog, Guerrilla Warfare for Writers is a valuable resource into the publishing industry—what to do and what not to do, from years of experience.

27.              DO YOU SEE YOURSELF IN ANY OF YOUR CHARACTERS?
I see myself in all of my characters, male or female. No matter the gender, they are human beings, with the same thoughts, loves, hardships, and happy times. My male MCs are typically shy but very strong in subtle ways. Clint Eastwood is a prime example of what I call an “Alpheta”, which is the best  parts of an Alpha male, minus the controlling, harsh, dominating, loud-mouthed characteristics. So I guess I’m an AlphaBeta male. Gak!

28.              DOES THE PUBLISHING INDUSTRY FRUSTRATE YOU?
Ha! The publishing industry flat-out murders me! I write about it often. So many of the current self-published authors have taken such a horrible beating for decades that it’s refreshing to see their accomplishments and dreams finally fulfilled. I can speak for them since I’m a hybrid author. Promotion and marketing is the toughest mountain to climb, IMO. 

29.              DID YOU EVER THINK OF QUITTING?
I’ve never thought of quitting, but I’ve been precariously close to throwing in the towel. Yet, I’ve spent too much in labour and dedication to toss it all away. I’ll die at the computer screen—I’m convinced of that. Just listen to Missy Higgin’s song “Light me on Fire” and you’ll understand the brutality of losing faith and then rebounding.

30.              WHAT WAS YOUR FAVOURITE MANUSCRIPT TO WRITE? WHY?
My idea for The Girl They Sold to the Moon was truly groundbreaking for me. But my latest YA fantasy series uses a dream catcher that I have never seen used before, and I always wondered why. So I jumped on that. The third book in the series, Screamcatcher: The Shimmering Eye, was modelled after the haunting story about the Skinwalker ranch. The investigative reporter out of Las Vegas, George Knapp, gave me the thumbs up on the idea. It was his story. I only wrote my version of it in a fictional sense.

31.              HOW WOULD YOU DEFINE ‘SUCCESS’ AS A WRITER.
Let’s be honest about this: I believe a great reader fan base and great book sales is a great indicator of success. In a more realistic sense, just having written books that I enjoy crafting is a gold medal for me.

32.              WHAT SHOULD READERS WALK AWAY FROM YOUR BOOKS KNOWING? HOW SHOULD THEY FEEL?
I want them to feel entertained, with lasting thoughts and memories. I want to also educate them about things and places they have never seen or heard of before. I strive for major impact, in a shockingly good sense. I’m after the effect that Harry Potter and The Hunger Games had on the reading and viewing public. I’m after “I’ve never read anything like this before!”

33.              WOULD YOU LIKE TO HAVE YOUR BOOKS MADE INTO MOVIES? EVER WRITTEN A SCREENPLAY?
I have had two small film options that never materialized. From book to film has been my ultimate dream. Every one of my books have been written with special visuals in mind. I can think of several of my books that would make great films (all authors think this way). I have published horror radio plays which are similar to screenplays, but they don’t have camera-shot instructions. I must say though, my stories would require quite a bit of CGI.

34.              HOW MUCH THOUGHT GOES INTO DESIGNING A BOOK COVER?
A lot of thought should go into designing a book cover, because it can say so much with just a flash of the eyes. I had an original oil canvas painting for one of my books that was extraordinary. That was a hardback edition. Nowadays, Photo Shop and clipart can suffice, and if done well, can really grab attention and curiosity.




35.              WHAT’S YOUR ULTIMATE DREAM?
Oh, by far the movie deal. That is the end of the road for an author. At least for this one. The only thing that could top it would be a movie series or more movie contracts. That goes for foreign rights also.

36.                WRITING IS ONE THING. WHAT ABOUT MARKETING YOU, YOUR BOOKS AND YOUR BRAND? ANY THOUGHTS?
Yep, marketing is that other thing. That diabolical other thing. My thoughts are pretty much standard: Join and participate in large writing groups and display sites. Use FB and Twitter as a tool to get the message out, but don’t overdue it. Book trailers, interviews like this one, guest blogs, give-aways, up-to-date and active blogs and websites, targeted ads, such as banner, FB and Twitter boosters, all of these can help. Join genre groups. Investigate BookBub for precision advertisements. All social media can help. Signings and newspaper interviews are also valuable

37.               ARE YOUR BOOKS SELF-PUBLISHED?
No, they were all trade published except for one, which was a reprint of an older book. So I had to go through that Kindle process.        

38.              DESCRIBE YOURSELF IN FIVE WORDS.
I will never give up

39.              WHAT PISSES YOU OFF MOST?
The fact that we have lost Borders and countless independent book stores. Right now Barnes & Nobel is in trouble. The Big 5 and its imprints have cut back on debut authors, staff, categories and genres. I don’t like this downhill slide. I want to desperately resurrect literature and reading to new and better heights. We have a glut of books—supply has eclipsed demand. I feel we need blockbusters and breakaway novels that restore us to our glory days. I aim to see to it that nothing but the best comes out of me. I want authors to unite and focus on the importance of literature. Encourage our youth to read.


40.              WHAT IS THE TITLE OF THE LAST BOOK YOU READ? GOOD ONE?
Believe it or not, it was The Hunger Games. I was absolutely floored, and I still am. The movie did it justice. I wrote a YA dystopian novel called Sky High, and it is a direct reflection on how inspired I was to try such a genre with a somewhat similar plot. I’ll never forget it.

41.               WHAT WOULD BE THE VERY LAST SENTENCE YOU’D WRITE?
He had the most profound look on his face.

42.               WHAT WOULD MAKE YOU HAPPIER THAN YOU ARE NOW? CARE TO SHARE?
I’m ugly enough to make a freight train take a dirt road, older than Triassic rock and have more baggage than a Carnival cruise. I can’t help that, ha! But I do know that I want to be loved and understood by people, in general. In addition, I am a nervous wreck with the release of Screamcatcher: Web World. I want so much for it to be a loved tome. I pray to God for such gifts.

43.              ANYTHING YOU’D LIKE TO ADD?
Clancy, what you are doing is such an unselfish gesture for us scribblers, it goes without saying that it is people like you who sustain and promote literature. I want to thank you on behalf of all of us who appear in your pages. I think someone ought to pin a medal on you for service above and beyond the call of duty. Also, I’ve never participated in an interview that was so thorough and mind-provoking. I’ll red-shift outta here now.











Clancy's comment: Thank you, Chris, for your kind words. Well done on your success. I agree with many of your comments. We all should be working together to promote our books. Love ya work!